Friday, 27 March 2015
Introducing ‘American Dreams’, WoW’s Star Spangled programme of spoken word, theatre, film, discussion and debate. From Wall Street to Water Street, Liverpool’s literary links to America, and specifically New York, are mapped out and explored in a celebration featuring New York/US based writers, Innovative Theatre and bang up to the moment Spoken Word artists. Join WoW on a transatlantic journey through the wild, strange frenzy of the shared maritime history of these two iconic port cities.
Don’t miss our usual eclectic mix of high quality writers and artists in a range of events dealing with RACE AND FOOTBALL, FEMINISM AND ECONOMICS, GOVERNMENT BY DECEIT, LIFE IN GAZA, WOMEN IN THE MUSIC BUSINESS, AID IN SUDAN & JEWISH IDENTITY AND WRITING.
Our acclaimed PULP IDOL and FLASH FICTION competitions open the way for new writers to get published.
Look for big name announcements next week...
Monday, 23 March 2015
George Garrett Archive Project: New York - Drama and Paper
This application card for the Workers Dramatic League in New
York seems a small item, 6inches by 4, asking for details of name address,
contact details and desired area of activity – Actor, Electrician, Stage
manager etc. The League address was at 64 South Washington Square in New York
City. However its size belies what it reveals about George's history and way of
working.
The fact that George had one of these cards signals his
desire to get involved in the radical theatre scene in New York, and his strong
attachment to the city. The WDL itself reveals a history of the period and the
ideas that were prevalent in that scene....and a puzzle!
Research seems to
indicate that the WDL in NYC was actually another organisation –The Workers Drama League , a small difference but
one that opens up a fascinating history. This organisation was founded in New
York in 1926 by John Lawson, John Dos Passos and Michael Gold, and lasted for
just under two years, though staging a range of productions from dram to
concerts, with the emphasis on socialist ideas and arts. It saw the forging of
what was a strong friendship between the three including supporting the
Proletarian Artist and Writer League with Soviet support in the 1930s. However
that friendship ended in 1939 during a bitter dispute over Soviet actions
during the Spanish Civil War.
Research also shows there was a worker drama league based in
Chicago.The card also highlights a perspective of the times George
lived in and his constant need to write down thoughts, ideas, contacts and
notes. George wrote wherever he could and with whatever was handy, and this
card is no exception. There are notes and contact details and a quote on both
sides of the card.
Items like this are truly fascinating in their origin and
relevance. I have been in touch with two archives in the USA to try and track
down details on the WDL, so watch this space...
Will Reid
Wednesday, 18 March 2015
What's Your Story? by Janelle Ralph
This morning we received an email from Janelle, a participant in our latest What's Your Story? writing course. During this hectic time in the WoW office it brightened our day to know that someone enjoyed and benefited from the course so much. This is exactly what What's Your Story? is all about.
The table at the entrance of my quaint local cafe was always overflowing with flyers. On this particular day, last August, I can only assume it was kismet that made me offer it a second glance. That’s how I saw the call for Writing on the Wall’s What’s Your Story? class for unemployed creatives. “Everybody has a story to tell,” the flyer cried. Yes! I do! Within an hour, I was registered.
I went in with no expectations and an open mind. We were asked to think about what we hoped to achieve with this course. I think a lot of us were looking for something similar: Confidence. Our class ranged from poets to businessmen; from the young to the wiser; the published to the undiscovered. This eclectic mix meant I knew there was would be plenty to learn from each other. The comfort and trust we developed as a team allowed all of us to open up and be vulnerable with our stories.
It has been over six months and a new confidence has fuelled me. No, I don’t think I'm the most eloquent, brilliant writer-mind to emerge from society (yet). But thanks to What’s Your Story?, I'm now keen to share everything I write, no matter how rough or random, and eager for feedback to continually improve my skills. I used to put so much pressure on myself, believing I had to be perfect the first time around. I have now found the sheer beauty in making mistakes and learning from them; watching something clumsy and confusing evolve into a fluid and engaging story.
An organisation that offers a free creative writing course every year is cause for celebration and inspiration. It comes from a place of passion and understanding that being a creative mind is not a gift we can stifle, and one that deserves to be encouraged and nurtured. I’ll admit, the pressures of this so-called Real World, and especially unemployment, had burdened me for a long time. This course and the support offered from WoW has shown me how to be true to my authentic creative self and what drives my personal passion. I have set writing goals for myself I wouldn't have dreamed of half a year ago; for example, I have promised myself I will enter WoW’s Pulp Idol contest next year!
As a group, we have been spoiled with the compassionate, versatile minds of Sarah MacLennan, Mandy Coe, Curtis Watt, Maurice Bessman, and Colin Watts who have taught us all how to engage our creativity. It’s far from a “Don’t Do That, Do This” classroom experience. Rather, they exquisitely work with an individual’s strength to bring out what each student has to offer to the world. And that’s the heart of What’s Your Story?: Every person who lives and breathes has a unique story to write that no on else is capable of telling. Writing On the Wall knows this and they have offered this encouraging platform to give voice and confidence to those who maybe weren't so sure of themselves. I will miss this class dearly, but I am so grateful for the indispensable connections I have made and the newer, stronger voice I have found.
The table at the entrance of my quaint local cafe was always overflowing with flyers. On this particular day, last August, I can only assume it was kismet that made me offer it a second glance. That’s how I saw the call for Writing on the Wall’s What’s Your Story? class for unemployed creatives. “Everybody has a story to tell,” the flyer cried. Yes! I do! Within an hour, I was registered.
I went in with no expectations and an open mind. We were asked to think about what we hoped to achieve with this course. I think a lot of us were looking for something similar: Confidence. Our class ranged from poets to businessmen; from the young to the wiser; the published to the undiscovered. This eclectic mix meant I knew there was would be plenty to learn from each other. The comfort and trust we developed as a team allowed all of us to open up and be vulnerable with our stories.
It has been over six months and a new confidence has fuelled me. No, I don’t think I'm the most eloquent, brilliant writer-mind to emerge from society (yet). But thanks to What’s Your Story?, I'm now keen to share everything I write, no matter how rough or random, and eager for feedback to continually improve my skills. I used to put so much pressure on myself, believing I had to be perfect the first time around. I have now found the sheer beauty in making mistakes and learning from them; watching something clumsy and confusing evolve into a fluid and engaging story.
An organisation that offers a free creative writing course every year is cause for celebration and inspiration. It comes from a place of passion and understanding that being a creative mind is not a gift we can stifle, and one that deserves to be encouraged and nurtured. I’ll admit, the pressures of this so-called Real World, and especially unemployment, had burdened me for a long time. This course and the support offered from WoW has shown me how to be true to my authentic creative self and what drives my personal passion. I have set writing goals for myself I wouldn't have dreamed of half a year ago; for example, I have promised myself I will enter WoW’s Pulp Idol contest next year!
As a group, we have been spoiled with the compassionate, versatile minds of Sarah MacLennan, Mandy Coe, Curtis Watt, Maurice Bessman, and Colin Watts who have taught us all how to engage our creativity. It’s far from a “Don’t Do That, Do This” classroom experience. Rather, they exquisitely work with an individual’s strength to bring out what each student has to offer to the world. And that’s the heart of What’s Your Story?: Every person who lives and breathes has a unique story to write that no on else is capable of telling. Writing On the Wall knows this and they have offered this encouraging platform to give voice and confidence to those who maybe weren't so sure of themselves. I will miss this class dearly, but I am so grateful for the indispensable connections I have made and the newer, stronger voice I have found.
Friday, 6 March 2015
George Garrett Archive Deposit Event. Saturday 28th May 2015. Central Library, Liverpool.
A proud and historic week for the George Garrett Archive project was
tinged with sadness at the death the previous week of Derek Garrett. Derek was
the youngest, and the last surviving son of George Garrett. Derek was a great
supporter of our project; his daughter Eloise told me her ‘dad was extremely
proud of the project and the renewed interest in granddad’s works.’ Derek,
along with his brother Roy, gave us one of our greatest moments of magic during
the project when they spontaneously broke into singing the old Wobbly song,
‘Hallelujah I’m a bum’; proof if ever there was of George’s links to the United
States, the union movement and the Industrial workers of the World (IWW, also
known as The Wobblies’), as who else’s sons would have been taught ‘Hallelujah’
as a child? We are grateful to Derek, and Roy, for their support for the
project and for being so generous, particularly when fighting serious illness,
with their time. We were particularly touched that, as at Roy’s funeral, the
George Garrett Archive and the pleasure it brought him, was also mentioned
during the eulogy at Derek’s funeral. It was a pleasure getting to know them
both and are sorry for their family’s loss.
On Saturday 28th February the family formally presented the
George Garrett Archive to the Liverpool record office at Central Library. This
is both a major achievement and a major addition to the city’s archives. It is
also a key contribution to the record of working class literature and
radicalism in the city.
Project Leader and writing on the Wall Co-Director Mike Morris
introduced the afternoon events, which included time for the family to have a
look at the archive before it was deposited. This led to much reading and
discussion, with our ‘Garretteers’ on hand to discuss various aspects of the
archive with the family. WoW Co-Director, Madeline Heneghan, spoke on the
impact of the archive on WoW’s work, and how it has led to a new heritage
Lottery funded project concerning a series of documents relating to Black
seamen, soldiers and workers stranded in Liverpool and suffering racial abuse
following WWI. Course tutor and project worker Tony Wailey spoke about the new
writing developing from the project, and we were delighted to welcome Liverpool
City Council Cabinet Member for Culture and Tourism, Cllr. Wendy Simon, who
complimented the work of the project and welcomed the archive in to the city’s
records.
It is just over two years since we won Heritage Lottery Funding to
start the project, which was launched after one of Michael Garrett,
George’s Grandson, brought WoW a
suitcase full of material which included among other things his Merchant
Seaman’s his discharge books, marriage certificates and original writing.
Since then we have delivered a range of events and activities linked to
the archive:
•
A 16 week course on Garrett’s Life and work
attended by 20 people
•
A short film narrated by Alexei Sayle
•
A book – an introduction to George Garrett
•
An Installation designed by Liverpool John mores
University Students that has been placed in various parts of the city, and was
in the Albert Dock for two months, and seen by thousands of people
•
A two month exhibition of his archive at Central
Library, again seen by thousands of people
•
Staged the debut of two of Garrett’s plays – Two
Tides and Flowers and Candles
•
Held a series of public talks and visited
schools and history groups
•
A comprehensive website
A key part of this project has been the engagement with and the support
of a number of volunteers. They have taken part in the taught course and
thereby gained knowledge of Liverpool’s maritime history and Garrett’s life,
worked on the archive and gained skills in research, writing, curation,
preservation, cataloguing and display, and have delivered the public workshops,
and have gained skills and experience in public speaking and presentation. They
have been a key part of the project and have earned their own collective
moniker, ‘The Garretteers’. Without them we would not have been able to achieve
all that we have done.
Although the Heritage Lottery funding has ended, we plan to continue
the work on the archive. In May 2015. With the support of Culture Liverpool, we
are:
Holding a series of Public talks about Garrett and his links to
America, and then in June, in the basement of The Cunard Building:
Staging an adaptation of his short story, ‘the Maurie’, set aboard the
Cunard White Star Liner, The Mauretania.
We also are working to get financial support to publish his completed
but as yet unpublished autobiography, Ten years On The Parish, which is an
outstanding account of his life and that of the Liverpool unemployed in the
1930’s. More details on these activities will follow shortly.
Thursday, 5 March 2015
Pulp Idol 2015 Competition NOW OPEN!
Liverpool’s unique Pulp Idol novel writing competition is now open for entries. Pulp Idol has now been responsible for getting eight new writers getting their work published by major publishers. Pulp Idol focuses on supporting new original voices and getting them heard. We provide a platform for up-and-coming writers, providing contacts with key publishers and agents.
Mike Morris, Writing on the Wall Co-Director, says,
‘If you want to be in with a chance of your first chapter being published and getting to read in front of a major publisher or agent, then you need to enter Pulp Idol 2015.’
Prizes include:
• Getting your work read by an agent/publisher
• Publication in a collection of first chapters by Writing on the Wall.
• The winner will have the chance to meet personally with a publisher/agent.
‘If you want to be in with a chance of your first chapter being published and getting to read in front of a major publisher or agent, then you need to enter Pulp Idol 2015.’
Prizes include:
• Getting your work read by an agent/publisher
• Publication in a collection of first chapters by Writing on the Wall.
• The winner will have the chance to meet personally with a publisher/agent.
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